Biog
My career in sound and theatre began in New Zealand, where I trained in music and theatre at the University of Auckland and in sound at the Music & Audio Institute of NZ, working with Stage 2 Productions (University of Auckland), Music & Audio Institute of NZ, Auckland Live venues and the Dolphin Theatre.
After moving to London in 2002 I worked across radio and TV broadcasting for the BBC. In 2010 I left the BBC to establish my own sound design & voice production company, Sounds Wilde.
Theatre & opera sound design credits include: The Gravity (Bristol Old Vic), Kill Climate Deniers (Pleasance), Don Giovanni (British Youth Opera), Mind Games (Arcola Theatre), The Shape of the Pain (Sound Associate, China Plate Theatre), The Drag (Arcola), Shakespeare's Sister (ALRA), The Trunk (Underbelly), The Little Prince (Arcola), Chatroom & Pronoun (ALRA), l'Ospedale (Wiltons Music Hall), This is why we live (Théâtre de L'Enfumeraie), Boris Godunov (Jack Studio Theatre), A Midsummer Night's Dream (Arcola), Rubyyy Jones "Fridaaa" (V&A), An Ideal Husband (Tabard Theatre), The Secret Garden (UK tour).
Audio & radio drama credits include: The Sandman: Act II (Audible), Greenborne (B7 Media), Persuasion (Audible), The Space Race (B7 Media/Audible), Eleanor of Aquitaine (B7 Media), The Treasure of Abbot Thomas (Bafflegab Productions/Audible), BRASS: The Audio Series (Battleground Productions)
Writing Credits: Soundgirls.org, ProSoundWeb, TheatreArtLife
I've been an guest lecturer for Royal Central School of Speech & Drama and the Royal Conservatoire of Scotland, and a guest speaker and presenter for the Audio Engineering Society and PLASA. I'm also an experienced voice director and voice actor for video games and audio drama.
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