Christopher Shutt

Christopher Shutt Sound Design

 

Member profile details

Membership level
Professional Member
First name
Christopher
Last name
Shutt
Organization
Christopher Shutt Sound Design
Photo/Logo
Mobile phone
+44 (0)7932 671466
 

Personal information

Primary Job title
Sound Designer
 

Contact data

City
London
Country
United Kingdom
 

Additional information

Public Directory
  • Sound Designer (With over 25 Professional Credits)
What I'm working on at the moment
Romeo & Juliet (National Theatre)
Biog
Trained at the Bristol Old Vic Theatre School. Theatre includes: Treatment, Ruined, Judgement Day (Almeida); Escaped Alone, The Sewing Group, Love & Information (& New York), , Aunt Dan & Lemon, Free Outgoing, Serious Money, Road (Royal Court); Twelfth Night, Here We Go, The Beaux Stratagem, Man & Superman, The James Plays (I & II), From Morning to Midnight, Strange Interlude, The White Guard, Burnt by the Sun, Every Good Boy Deserves Favour, The Hour We Knew Nothing of Each Other, War Horse (& West End), Philistines, Happy Days, Thérèse Raquin, The Seagull, Burn/Chatroom/Citizenship, Coram Boy, A Dream Play, A Minute Too Late, Measure for Measure, Mourning Becomes Elektra, Play Without Words, Machinal (National); St Joan, Faith Healer, Privacy, The Same Deep Water As Me, Philadelphia Here I Come!, Piaf, The Man Who Had All the Luck, Hecuba (Donmar); A Disappearing Number, The Elephant Vanishes, Mnemonic, The Noise of Time, The Street of Crocodiles, The Three Lives of Lucie Cabrol, The Caucasian Chalk Circle (Complicite); A Human Being Died That Night, Macbeth, All My Sons, The Resistible Rise of Arturo Ui, Happy Days, A Moon for the Misbegotten, Coram Boy, Humble Boy, Not About Nightingales, Mnemonic (Broadway); Wild, A Human Being Died That Night, And No More Shall We Part, For Once (Hampstead); Merchant of Venice (Globe); The Entertainer, The Winter’s Tale (West End); The Father (Theatre Royal, Bath/Tricycle/West End); Hamlet, Julius Caesar (Barbican); Bull (Young Vic); The Playboy of the Western World, All About My Mother, Life x 3 (Old Vic); Desire Under the Elms, Blasted (Lyric, Hammersmith); Thyestes (Arcola); Shoes (Sadler’s Wells); The Caretaker, Crave/4:48 Psychosis (Sheffield Theatres); Oppenheimer (& West End), The Two Gentlemen of Verona, Wendy & Peter Pan, Candide, Twelfth Night, The Comedy of Errors, The Tempest, King Lear, Romeo & Juliet, King John, Much Ado About Nothing (RSC); Macbeth (Manchester International Festival/ Armory New York); Drum Belly (Abbey Dublin); Far Away, A Midsummer Night’s Dream (Bristol Old Vic); Good (Royal Exchange, Manchester); Man of Aran (Druid, Galway); The House of Special Purpose (Chichester Festival); Little Otik, The Bacchae (National Theatre of Scotland); Riders to the Sea (ENO).
Awards include: Tony Award for Best Sound Design of a Play (War Horse); Evening Standard Theatre Award (A Disappearing Number); New York Drama Desk Award (War Horse, Mnemonic, Not About Nightingales).
Areas you work in:
  • Theatre
  • Composition
  • Radio
  • Installed Sound
Represented by
Amanda Evans at Scott Marshall
amanda@scottmarshall.co.uk

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